Its purpose is to streamline a website from idea to publication, not to cater for designers who are part of a bigger development team. Muse is first and foremost an application for those who have little in-depth knowledge (or interest) in graphics. While there are facilities for creating images, these are meagre and nowhere near as flexible as those available in Fireworks. Unfortunately, it’s not a graphic production tool. Many reviews praise its wealth of options, and it comes with a built-in sitemap editor, access to Adobe’s hosted font service, and it can display neat CSS effects such as parallax scrolling. With the tagline “web design without coding”, the purpose of Muse seems obvious.
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At best, it’s a terrific complement to your chief web design software. It is possibly the king of vector graphics, but until SVG has found its way to the corners of the web, the Internet is largely a jungle of bitmaps – and pixels make Illustrator uncomfortable. However, as with Photoshop, Illustrator’s forte is also its bane when talking web design. Fast, stable and packing a host of tricks, it deals with vector graphics like a sushi chef slicing ingredients you don’t know the name of.
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If Photoshop is a seasoned hockey player who understands its job and gets it done, Illustrator is the ice dancer who pirouettes around in perfect circles. In addition, unless you already do own it, Photoshop will make your wallet run for cover. Its image compression is sub-Fireworks, symbol libraries are absent, and the vector handling is limited and fiddly. For bitmap perfection, is second to none, and it runs like a purring (albeit oversized) sports car.īut Photoshop was never meant to be a specialized web design tool. At a glance, it might appear a logical choice: it’s ubiquitous, so many will already know the ropes, and quite a few already will own it which makes the transition inexpensive. The two-tonne gorilla on the block, the leviathan of graphic software, the old-timer who knows it all (or most of it). Here is a list of alternatives that might fill the gap. In this deadline-driven industry, getting snagged by sudden incompatibility or gradually more unstable programs is dangerous.
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Some are calling for Adobe to release Fireworks to open source, however this might remain wishful thinking as it’s unlikely that Adobe wants their own code to turn into a direct competitor.įorward-thinking designers will want to plan ahead and identify new software.
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Soon after Fireworks’s impending demise was announced, collectives formed and rallied to save their favourite tool.
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However, Adobe’s intentions are clear: Fireworks is destined to sink into the marshlands of abandoned software – discontinued and unpatched, but not unloved. This view has been met with a chorus of disagreements – scroll down to the comments here for an idea of the general response. In support of their new model, Adobe has suggested that modern web production requires suites of specialised software rather than programs that cater for everything.
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Given this approach, Adobe will be interested in subscribers going for the full list, which in turn makes jack-of-all-trades software such as Fireworks problematic. This works on an application-per-application basis or, for a slightly higher price, gives users access to the company’s whole range of products. Adobe is urging users to sign up for their subscription-based model.